Interested in bringing in the younger generation to your worship service?  iTapLive is a dedicated spirit-filled dance ministry that speaks in a language that the younger generation 'hears'.

"..he who has ears let him hear..."
(Matt. 10:15) et al


 

tm

i tap Live!
"i tap for the audience of One!"

 


Backstage Sneak Peek . . .

 

 

 

The Resurgence of Rhythm

       
Rhythm tap resurfaced in the 1980’s when Gregory Hines and a young Savion Glover reintroduced tap to popular culture. Hines, an actor, director, and choreographer, had both finesse and grace, making him commercially successful as a dancer. His feet, though, were the thing really worth watching and people slowly began to take notice. Glover, on the other hand, sprang onto the scene at only ten years old, starring on Broadway as ‘The Tap Dance Kid’. By his teens, however, his urban look and his laid back style had given way to an incredible and unique talent. Glover’s ‘hard core’ style of tapping, which featured rapid, changing, and complex rhythms, spread to other young dancers. When his own creation ‘Bring in ‘da Noise, Bring in ‘da Funk’ became a Tony-award winner on Broadway in the 1990’s, rhythm tap finally began to receive the international attention it deserved.

 

 

 


"Then David danced before the Lord
 with all his might.."
2Sam.6:14

 

 

 

 

 

 

 



 

 


Photographed by Wayne J. Lewis, 2009


Photographed by Wayne J. Lewis, 2009

 

 

 

 

Tap dancers make frequent use of syncopation. Choreography typically starts on the eighth or first beatcount. Another aspect of tap dancing is improvisation. This can either be done with music and follow the beats provided or without musical accompaniment, otherwise known as a cappella dancing.

Hoofers are tap dancers who dance primarily with their legs, making a louder, more grounded sound. This kind of tap dancing, also called "rhythm tap", came primarily from cities or poor areas. Today this is not the case, especially with such a wide variety of styles spreading throughout the world. Steve Condos rose out of his humble beginnings in Pittsburgh, PA to become a master in rhythmic tap. His innovative style influenced the work of Gregory Hines, Savion Glover and Marshall Davis, Jr. The majority of hoofers, such as Sammy Davis Jr., Savion Glover, Gregory Hines, and LaVaughn Robinson are African American men, although today the art form transcends racial and gender stereotypes. Savion Glover is the best-known living hoofer, who helped bring tap dance into mainstream media by choreographing and dancing for the major motion picture Happy Feet, a film about a tap dancing penguin. Another well-known tap film is 1989's Tap, starring the late Gregory Hines and many of the old-time hoofers.

Early dancers like Fred Astaire provided a more ballroom look to tap dancing, while Gene Kelly used his extensive ballet training to make tap dancing incorporate all the parts of the ballet. This style of tap led to what is today known as "Broadway style," which is more mainstream in American culture. It often involves high heeled tap shoes and show music, and is usually the type of tap first taught to beginners. The best examples of this style are found in Broadway musicals such as 42nd Street. 

Common tap steps include the shuffle, shuffle ball change, flap, flap heel, cramproll, buffalo, Maxi Ford, single and double pullbacks, wings, Cincinnati, the shim sham shimmy (also called the Lindy), Irish, Waltz Clog, the paddle and roll, stomp, brushes, scuffs, and single and double toe punches, hot steps, heel clicks, single, double and triple time steps, riffs, over-the-tops, military time step, new yorkers, and chugs. In advanced tap dancing, basic steps are often combined together to create new steps.

 

 

 

 

 

 

 

 

This ministry also tells them that we 'hear' them . . understand them . . and are desirous of opening our  arms  and hearts to them.  How? 
by communicating
their way!

An innovative tap dance ministry

 

 

 

 

 

 

 

 

 

 

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Updated: 07/08/09